Hi there, I’m Jane Cleland, and in this video, I delve into a crucial question for writers: How much research should you do before you begin writing?
Whether you’re tackling a science-based nonfiction book or crafting a fictional narrative, I discuss the varying degrees of research necessary for each genre.
Specifically, I emphasize the importance of focusing on credibility and plausibility in fiction rather than getting bogged down by excessive accuracy.
I also share a personal rule of mine: to limit my research to what’s essential for the story, avoiding unnecessary tangents.
This is especially relevant if you’re not writing about highly specialized subjects like forensics. Using my character, Josie Prescott, as an example, I illustrate how to maintain realism without overcomplicating the narrative.
To all the aspiring writers out there, remember: sometimes, it’s crucial to step away from the truth and prioritize what makes your story engaging and plausible.
Hello, Jane Cleland here.
How much research should I do before I begin writing? Well, the first consideration is what you’re writing. If you’re working on a science-based nonfiction book, the answer is: a lot. If you’re working in fiction, I think the proper metric is credibility and plausibility. I wouldn’t worry about accuracy.
This is important because research is irresistible for some of us. I love research, so I actually have a rule that I only allow myself to do enough research to answer the question that started me off. I don’t need to learn everything about the topic. I don’t need to get distracted by the tangents that the research has led me to.
Now, a notable exception would be if you’re writing a book about a forensic expert. Well, then you have to get the forensics right. But, for example, in traditional mysteries where my gal—in my case, Josie Prescott—is an antiques dealer, she’s not a forensics expert. I don’t need to have that level of accuracy. I just need her to know to use a tissue or glove to pick up the teacup if it’s going to be tested for fingerprints. But that’s it. That’s plausible.
You know, I often have to tell my students—writers—”Step away from the truth!” Because it is appealing to delve into the nuance of detail and the subtle distinctions to get it just right. But in most cases, for most of us writing fiction, plausibility is probably the appropriate metric.
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